Instruments, effects and audio hardware, made in Berlin.
Six plugins, in every major format, on every major platform.
Five modelled keyboards
A tine piano, an electric grand, a reed piano, an acoustic grand and a clav, each built from the mechanism, not recorded from it. Lean on a note and the colour changes, not the volume alone, because the model is doing what the steel does.
| Formats | VST3 · AU · CLAP · Standalone |
|---|---|
| Systems | macOS · Windows · Linux |
| Version | v0.9.0 · 2026-09-01 |
Multi-head tape echo, spring and plate
Four playback heads moving over one piece of tape, five delay characters including a playable pitch shifter, a six-stage phaser and nine reverbs. Almost all of it can be placed before the delay, after it, or inside the feedback loop, which is where dub lives.
| Formats | VST3 · AU · CLAP · Standalone |
|---|---|
| Systems | macOS · Windows · Linux |
| Version | v0.25.0 · 2026-07-04 |
Polysynth with a patchbay
Five oscillators and seven filter models behind an EMS-style patchbay that rewires the voice itself instead of offering you a routing menu. MPE throughout, and a preset bank you can browse by ear without reaching for the gain.
| Formats | VST3 · AU · Standalone |
|---|---|
| Systems | macOS · Windows · Linux |
| Version | v1.1.1 · 2026-07-19 |
A wind instrument you assemble
Lungs drive a vocal tract, the tract drives a lip valve or a reed, and that drives a bore that radiates from its bell. Choose the exciter and the bore separately and it is a clarinet, a recorder, a trumpet, a tuba, an alphorn, a didgeridoo, or something with no name at all.
| Formats | VST3 · AU · CLAP · Standalone |
|---|---|
| Systems | macOS · Windows · Linux |
| Version | In development |
Resonant metal, struck, rubbed and bowed
Nine metal bodies (singing bowls, church bells, tubular bells, gongs, handpans, vibes, glockenspiel, steelpan and tam-tam) with real stick-slip friction, so a bowl rubbed with a puja builds and sings and limits itself the way one actually does.
| Formats | VST3 · AU · CLAP · Standalone |
|---|---|
| Systems | macOS · Windows · Linux |
| Version | In development |
Saturation and cabinets
Ten saturation models with ten separate transfer curves, not one curve at ten gains, plus cabinets, mid-side processing and oversampling whose alias rejection was measured and not assumed. Open sourced in 2025.
| Formats | VST3 · AU · LV2 |
|---|---|
| Systems | macOS · Windows · Linux |
| Version | In development |
The audio UI component library the panels above are being rebuilt on. Fifty-seven components for plugin panels and for the browser.
Audio UI component library
Every knob, switch, lamp, meter and display an audio interface needs, each drawn from the part it is named after, lit by one shared light and restyled by changing a handful of colours.
Software for performing and broadcasting, alongside the instruments.
Live visuals
A live, audio-reactive visualiser for performance: eighteen generated looks driven by the music, controlled over MIDI, OSC or a web surface. Runs on a laptop or headless on a board small enough to live inside an instrument.
MIDI controller for macOS
A virtual keyboard and control-surface builder. Play from the computer keyboard or mouse, build custom controls, then route everything through an arpeggiator, chord engine, quantiser or scale filter before it reaches the DAW.
Generative soundscapes
Water, sea, rain, wind, fire and birdsong, modelled instead of looped, so it never repeats. Opens in a browser tab. No samples, no network, nothing to install.
Force-feedback joystick module
A VCV Rack module that patches a force-feedback joystick into a modular rack in both directions. Axes, hat and buttons arrive as CV and gates, and CV drives the motors back, so a patch can push against your hand while you play it.
Streaming server
A broadcast server for internet radio: audio and video, Icecast-compatible, with live ingest, transcoding, relaying, an AutoDJ and an admin interface. One binary, deployed in minutes.
Open boards and transports for instruments that stand on their own, without a computer in the signal path.
Multichannel audio transport
Up to 64 channels of 32-bit audio, plus MIDI and control data, down a single twisted pair. Daisy-chainable, self-clocking and deterministic, built from parts that cost a couple of euros instead of proprietary silicon. For distributed instruments, multi-speaker installations and modular systems that need to stay in sample lock.
Expressive keyboard
A multitouch MPE keyboard on a seven-inch panel: two rows of keys with snap-to-pitch, glide, slide and pressure, streaming RTP-MIDI and OSC over wifi to anything on the network. The touch layer runs at 250 Hz so expression tracks the finger and not the frame rate.
Physical modelling, analogue and tape emulation, studio-standard networking, embedded DSP, and a measurement pass behind every release.