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A tine piano, an electric grand, a reed piano, an acoustic grand and a clav, each built from the mechanism, not recorded from it. Lean on a note and the colour changes, not the volume alone, because the model is doing what the steel does.

Four playback heads moving over one piece of tape, five delay characters including a playable pitch shifter, a six-stage phaser and nine reverbs. Almost all of it can be placed before the delay, after it, or inside the feedback loop, which is where dub lives.

Five oscillators and seven filter models behind an EMS-style patchbay that rewires the voice itself instead of offering you a routing menu. MPE throughout, and a preset bank you can browse by ear without reaching for the gain.

Lungs drive a vocal tract, the tract drives a lip valve or a reed, and that drives a bore that radiates from its bell. Choose the exciter and the bore separately and it is a clarinet, a recorder, a trumpet, a tuba, an alphorn, a didgeridoo, or something with no name at all.

Nine metal bodies (singing bowls, church bells, tubular bells, gongs, handpans, vibes, glockenspiel, steelpan and tam-tam) with real stick-slip friction, so a bowl rubbed with a puja builds and sings and limits itself the way one actually does.

Ten saturation models with ten separate transfer curves, not one curve at ten gains, plus cabinets, mid-side processing and oversampling whose alias rejection was measured and not assumed. Open sourced in 2025.