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A tine piano, an electric grand, a reed piano, an acoustic grand and a clav, each built from the mechanism rather than recorded from it. Lean on a note and the colour changes, not just the volume — because the model is doing what the steel does.

Four playback heads moving over one piece of tape, five delay characters including a playable pitch shifter, a six-stage phaser and nine reverbs — and almost all of it can be placed before the delay, after it, or inside the feedback loop, which is where dub lives.

Five oscillators and seven filter models behind an EMS-style patchbay that rewires the voice itself rather than offering you a routing menu. MPE throughout, and a preset bank you can browse by ear without reaching for the gain.

Ten saturation models with ten transfer curves — not one curve at ten different gains — plus cabinets, mid-side processing and oversampling whose alias rejection was measured rather than assumed. Open sourced in 2025.